An Honest Owl Works Production®
State of the Art®
Art and Design
”Art has many aspects, we’re explaining it’s many aspects and bring it into peoples’ lives.”
- We are producing a multipart series about art, artists, architects, design and collecting.
- We are finding their voices and helping them be heard.
- We are seeking what drove them in the direction they went and where they are going.
- We are introducing the great minds and talents, current in the art world today.
Dancers, Artists, Filmmakers, Architects, Designers, artists of every kind all are “artists”.
All artists are magicians, shamans of societies who take a spiritual journey and bring back their findings to share with the rest of us. Often, they are labeled Geniuses Most people don’t have the time or the hard wiring to take those spiritual journeys but people need that divine connection to feel happy and whole.
Often the journeys are painful and full of pitfalls. For most artists, they don’t become known. For some they become the mentors and icons for their peers in society.
Our aim is to find both known and unknown artists and describe their journey and show how they got to where they are, why and if they are known, what they can teach us, and their works.
These are the beliefs of the producers and guests, who will introduce the series and bring us into the lives of the “artists.”.
The First Season Chapters are:
#1 The Art of Collecting-
Dr. Julio Gallo
#2 The Art of Healing-
Cory Bilicko
#3 The Art of Space-
Christoph Kappeler
#4 The Art of Stillness-
Shane Guffogg
#5 The Art of Light-
Richard Gluckman
#6 The Art of Storytelling
Paul Vowell
#1 The Art of Collecting-Gallo
MIPAC is the idea of Institute co‐founders Dr. Julio F. Gallo and CEO Stephen Watson. Dr. Gallo has been collecting art for more than 15 years and has invited his personal art curator, Alicia Gorbato, to lead MIPAC as its director.
Dr. Gallo, a fifth generation artist and now in addition to being an artist is a collector and surgeon. He Is the son, grandson and great grandson and great great grandson of Italian sculptors some of whom including his father moved to Cuba after the second world War. Dr. Gallo was born in the United States where he graduated from medical school having been an artist and collector since the age of seven. Instead of going to football games as a child he went to galleries with his father. Instead of playing baseball he painted and sculpted. Now instead of marble he practices his skills on human beings still dealing in art and collecting. He is world reknown for all his activities and even owns his own gallery in Miami in the Four Season Hotel and Tower,
Dr. Gallo’s collection called The MIAMI Institute Private Art Collection, has transformed its space into a place alive with art, showcasing the works of contemporary artists from around the world and offering unique access to a collection more than a decade in the making to select patients, collectors, and purveyors. MIPAC is a space of art, quite different from a gallery, allowing individuals a uniquely personal experience amongst the works, but also granting exclusive access to the artists themselves or the opportunity to have hand‐selected works delivered and installed.
“In my opinion “Art” is an intellectual pursuit. Creating art is a gift; collecting art is an act of possession. Obsessive is probably the most common word used to describe the collecting instinct” says Dr. Gallo. It can probably be seen as a means to confront mortality or maybe as Sigmund Freud stated "a compensation for loss," an exercise of compulsion and desire, but a genuine passion for art itself.
Dr. Julio Francesco Gallo, is a prestigious practicing medical doctor, constitutes a singular person, one personality out of many, in the art of collecting. He knows the collectors from around the world and their art.
He grew up surrounded by art, not by mere observation, but with the closeness to the process of creating art, like very few have the opportunity in life. His father Enzo Gallo as mentioned earlier was a prolific modernist sculptor (who spread his work through-Italy, Cuba, and America), became Julio's inspiring and guiding light in an early life journey through art.
Gallo’s collecting is not dictated by the urge of market indexes and trends, but because art is a reflection of his life experience he built his collection with a nostalgic mystery, with a hermetic quality from his merged vision of art and medicine.
Julio, in contrast to contemporary art collectors {who usually jump to the art of collecting after reaching a successful professional career) is unique. He, on the contrary, brings an intense life experience in art to his medical profession and his collecting. Art that is essential in his life journey that merges with a fundamental vision of well being, medicine, and healing, in perfect tune with his passion for art.
Beyond twentieth century modernism and utopias, in the twenty first century pragmatism the idealism that seems to remain intact in medicine is still an essential component in the arts. In both cases (that of medicine and art), its challenges continue to exercise both the mind, as well as the heart even when it has become substantially intertwined with business. Corporations now often recognize this and collect art.
Dr, Galo will illustrate the value in collecting art, not just as a business decision but also for the less humble for enjoyment and enrichment of peoples’ lives and living spaces.
It is as if his present collecting framework is inspired by an intense interest in the current artistic debate, leading him to a different approach in his vision of collecting, possessing, sharing and enjoying art.
He is a collector exposed and liberated from the strict patterns of collecting art. Collecting implies the joy of thinking, to ask questions and to understand the potential of the surprise that art always brings. Julio Francesco Gallo has merged through his profession and collection the joy to be moved by art.
# 2 The Art of Healing-
Cory Bilicko
No matter what I paint, my art is always about feeling better.
After 9/11, which occurred three weeks after I’d visited the World Trade Center, I sat and painted a pixelated view of the New York skyline, a painting that consists of more than 3,000 quarter-inch squares. Focusing on and shading each tiny square quieted my mind, and the task of imbuing each one with a tone of blue or gray brought me into a state of relaxation, rather than frustration or boredom.
Getting those saturated colors onto canvas, enjoying the small accomplishments when things turn out as I’d wanted, and learning from my artistic failures… all those tasks preoccupy my mind and spirit to the point that, when I’m done with a piece, I celebrate how destruction, tragedy and fear can serve as jumping-off points for creation."
Cory Bilicko moved to Long Beach from New Orleans in 1995 and is happy to share the rich culture of his roots with his West Coast friends.
He is managing editor of The Signal Tribune, where he proudly features different artists on the newspaper's front-page topper each week. He sees it as the perfect opportunity to promote local artists and galleries.
Bilicko just started sharing his own art in 2011, but he's enthusiastically keeping his eyes open for more opportunities to get his work out there.
Cory Bilicko talks about New Orleans with great nostalgia. The Southern artist says although it is a celebratory and upbeat place, there is darkness hiding in the forms of untimely death, natural disaster and other misfortune. Not long after he graduated from the University of New Orleans, in 1995, he decided to pack his bags and head to California.
Even after he moved, he was constantly hearing word of horrible mishaps that were occurring around the region in which he grew up. He says he lost many people close to him and it was awful to see a place he loved in such bad shape. But it is through these traumatic experiences that he draws the inspiration and subject matter for his acrylic paintings.
“It Hurts Here...and Here...and Here,” acrylic on canvas
As of now, Bilicko, a native of Biloxi, Mississippi, is a man of many trades. He is currently a painter, a managing editor, a proofreader for an educational-publishing company and a part-time teacher.
Bilicko’s art has been featured at Galaxy Expo in Bixby Knolls, Greenly Art Space in Signal Hill, FreeSpirit Yoga Studio, and Long Beach Vegan Eatery. He will also be displaying his work in the Long Beach Open-Studio Tour in October.
In 1999, my mom died in a car accident. To have someone I love dearly just suddenly and tragically be removed like that was, by far, the worst thing I’ve ever experienced. I went through a horrible depression, complete with self-destructive behaviors, financial indifference and, ironically, reckless driving. I knew that I needed to find something to quiet my mind so I could face the horrors of the situation and eventually heal. I didn’t really like talking about my feelings with people in my life. With family, I felt this responsibility to be the strong one so that they could cry and I could comfort them. With friends, I didn’t want to be an emotional burden. I felt compelled to deal with it on my own.
While working one day I sat and created a little portrait of my mom in half an hour. Right away, I found the therapeutic value in creation– taking tragedy and turning it on its head, making something beautiful out of it..
Then, after 9/11, I was so freaked out. I’d been at the Twin Towers just three weeks prior, and I had several friends living in Manhattan.
I sat and drew this abstract view of the New York skyline, which consists of more than 3,000 quarter-inch squares. Sitting, focusing, listening to trippy electronic music and painting each little square one at a time really relaxed me. It brought me into this meditative state, and I felt peaceful. I’m very happy to say that my good friend Jenn is now the owner of that painting; she bought it at my very first art show.
So, basically, first and foremost, my art is my therapy.
The theme for Uneasy Jubilation is generally focused on celebration and death. Is this a common theme in all of his works?
I have positive associations with dark subject matter. In the ‘80s, I listened to a lot of gloomy music, like Bauhaus, Joy Division and Skinny Puppy. I loved going to these seedy, underground bars in New Orleans and being with the freaks. I felt right at home, even though I’d get up the following Monday and head to class.
The other factors present when he paints would be lots of coffee and really cool, tripped-out music, mostly with no lyrics. I also tend to get hot when I paint. It’s a rather intense and physical process. So I like to have a fan on.
The piece that seemed to speak to more people than any other is one I did of a woman standing among trees. It’s based on an image I saw when I was a kid during a hallucinatory fever episode. I had so many people express interest in it, and I ended up selling it to a woman during a live-art event. Then, she contacted me a few months later and told me that, when she had tried to ship it to her home in Texas, it was “lost and damaged.” I suppose that gives it almost a martyr status now.
My work is rarely, if ever, an expression of one particular idea or feeling. It’s pretty open-ended. And I absolutely love hearing what other people see in my work. I learn a lot about myself during my own art shows, just by listening to people. I actually prefer to let them tell me about my own paintings, rather than vice versa.
I’m mostly influenced by music, I’d say. I listened to a lot of old jazz and New Orleans music while working on this show. It will be playing during the opening. But I also listen to a lot of Com Truise, Tycho, Boards of Canada, Brian Eno, Harold Budd and Robin Guthrie.
Art has saved me from deep depression, and it has started defining who I am. I’ll never be anyone’s grandfather, and I’m cool with that. I’ll be perfectly content as that eccentric, old, bald-headed man who lives alone and listens to weird music and makes strange paintings with his fingers… and potatoes
#3 The Art of Space-Kappeler
Christoph Kapeller-
Christoph Kapeller, AIA, was a founding partner of the Norwegian firm, Snøhetta, after being awarded the First Prize in the international competition for the Bibliotheca Alexandrina, the new library of Alexandria, Egypt in 1989. During the course of the project, Christoph spent 8 years in Egypt overseeing the design and construction of this world renowned $200 million project.
Since his relocation to Los Angeles, his firm has won numerous prizes and awards in international design competitions. Among others, the Aga Khan Award for architecture. Christoph received his Dipl. Ing. of Architecture in Graz, Austria and his Master of Architecture at the University of Southern California in 1986. In addition to his professional practice, Christoph Kapeller has lectured, written and published a number of critical articles, and is currently a member of the design faculty at the University of Southern California (USC) School of Architecture.
The decision to rebuild Bibliotheca Alexandrina, the most famous library of all time, was announced in 1989 with the Norwegian architects Snøhetta winning the open international competition for its design.
Alexandria, founded in 332BC, was one of the greatest cities of the classical world and remained the capital of Egypt until 969AD.
The new library, built roughly on the site of the original Bibliotheca Alexandrina, is designed as a simple circle, 160 metres in diameter, going from 15.8 metres underground to 37 metres above ground. Seen from above it proposes the image of the sun (Egyptian hieroglyphs show the sun generally as a simple disk).
The partly glazed slanting roof of the main library, has been designed to angle sunlight, at optimum levels throughout the year, down to the desks and shelves set on tiers of galleried floors beneath it.
The composition of the roof grid transforms the traditional elevational aspects; making the roof screen the primary elevation of the building. The roof also operates as a connecting link allowing visual access to the exterior and vice-versa.
The tilting motion of the building is emphasized in the curving exterior wall that is clad in Aswan granite inscribed with calligraphy representing world civilisations. A moat that surrounds a major part of the building and serves, instead of fences, as a border to the library.
The vast curving wall of the Library's exterior becomes its enclosure with slender fluted columns, beneath a sheet of diffuse light, supporting the great roof.
The floor of this building has deep space terraces along 10 levels with a viewing platform at each level allowing unobstructed visibility to any destination.
The book stacks extend behind each terrace, that can be accessed independently via an external corridor, providing superior flexibility for the organization of each department.
Solar sails, installed at the ceiling, allows sunlight to diffuse into the interior space across the oak floors and custom-designed steel and timber furniture.
The project includes three main buildings; the Library, a Conference Center (built in 1992) and a new 18 meter tall black, steel and concrete, spherical Planetarium. A special museum for underwater monuments discovered in the eastern harbour is located under the Planetarium. The Conference Center and Library, although independent, share some facilities and the Plaza of Culture.
At its height in the third century BC, the Bibliotheca Alexandrina was said to have housed 700,000 papyrus manuscripts. Its librarians, among them Archimedes and the astronomer Aristarchus, had collected the works of, among very many others, Plato, Aristotle, Thucydides, Sophocles, Euripides, Hippocrates and Euclid, often when these authors were still at work.
The library and its fabulous collection was burned several times: accidentally during Julius Caesar's siege of the city in 48BC (it was rebuilt by Mark Antony, who made a gift of 200,000 manuscripts to Cleopatra), in 272AD by order of the Emperor Aurelian, in 391 by Christians enraged by the cult of Seraphis and the pagan books held in the library, and finally, or so it is said, by the Caliph Omar (or Umar) in 638.
The new Alexandrina will house one of the world's foremost collections of research materials and facilities becoming a new constructive agent to science, art and human culture. Opening with more than 200,000 volumes the library is targeted to contain five to 8 million volumes by 2020.
#4 The Art of Stillness –
Shane Guffogg
T.S. Eliott wrote:
“At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is,But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. There would be no dance, and there is only the dance.”
In 2008 Shane Guffogg was relatively unknown. That is no longer true.
He has been seeking, speaking, illustrating the truth since his early years.
An art exhibition that was presented by him in 2008, when he was director of a place called Pharmika changed everything.
In 2008 downtown Los Angeles was regarded as the home to the homeless, a crime infested, cesspool of dilapidated hotels, shabby rooming houses, and streets filled with the worlds outcasts. Pharmika and Guffogg changed all of that
Today it is the center of a cultural renaissance, the vibrant center of a city now known as a new century’s cultural icon and the home of modern art on the west coast if not the whole country, with new museums and galleries and 100’s of thousands of young, restless creative successful educated men and women and the infrastructure of restaurants, theaters, and shopping to cater to their tastes.
Pharmika started by him and Lura Hipke and Adam Gross began as a group of painters getting together every Tuesday night to look at and discuss art, drink, have some pizza-lamenting and trying to figure out the” obscure art world”. Those discussions became words that took the form of a statement that morphed into a manifesto.
Once they had the manifesto, they needed a name, and settled on Pharmika, which is Greek for "a poison or remedy," but in ancient Greek also means "an artist's colors." As "painters," they were all after that ever-elusive idea of truth in their work. They proclaimed as their watchwords principals extolled in the motto of Pharmika:
"Painting has always served as a conduit between the artist’s need to express some inner truth and the audience's ability to share in that truth."
Shane Guffogg believes, to not be preoccupied with the idea of a Truth for all people; rather, Truth can be defined by and exist in the moment of interaction between artist and artwork, and then between artwork and viewer." So conclusively art’s truth that it is not universal but is individual and subjective.
But that only means if there is a "truth" to extol in the world of art, it is the truth of an honesty that can exist between the artist and the viewer, and between the artist and the medium. Thus, truth in art can have the luxury of not being preoccupied with the idea of “A Truth for all people”; rather, it can be defined by and exist in the moment of interaction between artist and artwork, and then between artwork and viewer. He calls this “The Still Point” So conclusively it’s a truth that is not universal but is individual and subjective.
To finally drive the point home, Shane has said,
“The public has become more sensitive to this truth than ever. The relentless bombardment of media myths as if truths (advertising, news, images, and commentary from all sides) has so inured the public to media manipulation that scarcely anyone expects to find truth in the message parlors of the media marketplace. When artists are not being "honest" to themselves or "true" to the medium, the media-savvy public takes little notice of their work."
The producers have reconstituted the intent of the original Pharmika group of artists to reiterate their messages now of “alternative facts” disinformation and confusion in the world.
In the first episode of this series, we delve into the life and times of Shane Guffogg, now know, worldwide, having successfully been shown at museums abroad and soon in the United States.
When the Pharmika group of painters opened a gallery space in downtown Los Angeles for the first art walk, they had 12 people walk in, look around, and walk out.
Two years later, they were getting 4,000 plus people walking in between 6 and 9 pm on the second Thursday of each month. The rest is history.
Truth.
An idea that was potentially on its way to becoming tangible. How to illustrate truth in art? How to illustrate this truth to the public via popular media?
Where did Shane get his inspiration from? Certainly, his childhood growing up. His background in rural Strathmore, California., his teaches, his family and friends. Then his travels on a peace march to Russian at the time of the fall of the Berlin wall. Then through hard times and a divorce. After, Pharmika and his self-discovery. At Pharmika, Guffogg was strapped with the task of defining, via paint on canvas, what his idea of truth was, and that idea could potentially set the tone for the entire project.
He learned the Golden Mean is the mathematical code of nature that gives the flower the instructions on how to grow its petals, or the ratio of the inner part versus the outer part of water as it goes down a drain.
It is the same ratio up in the sky that we can see on a clear night-the way the solar systems revolve around the center of the Milky Way Galaxy. It is a mathematical truth of our visible universe, and the ancient peoples of the world knew this and considered this ratio sacred. The architectural designs of ancient stone structures all over the world are based on this number. And so are the proportions image and pure abstraction.
In short order, the original idea embedded in his painting became a subconscious undercurrent. As the process progressed, this continued to happen over and over, with one painting informing the next without knowing its true origins. And that, Guffogg realized, was the key to what we were doing-creating a microcosm of what civilizations do over generations and decades, if not centuries. We forget where our language comes from, and, as Americans that speak primarily English, we think most people tend to think of English as its own thing. It is a fusion of many different languages and cultures that span hundreds of years all mashed together under one umbrella.
The idea of this series is the umbrella and all the art under it, is the different ways people see, think, feel and respond to their environment.
Artists are usually thought to be more sensitive, aware, and questing for unanswerable questions that have the potential to give our lives a deeper meaning and purpose. As human beings, we are a continuous summation of our experiences, and the way we look often gives only small clues about what the impact of those experiences is.
The Pharmika exhibition broke the facade open, giving us a glimpse, not only into what these artists saw and how they responded, but we think on a much deeper level, to a visual micro of the macro.
All artists share the following:” quote from Shane Guffogg documentary.”
“It is a truth that is without an agenda, but instilled with a purpose. The purpose the producers think is “Good”. We hope this series contributes to the overall knowledge of the planet and its “Good”.
Inspired by Shane Guffogg
#5 The Art of Light-
Richard Gluckman
Richard Gluckman is known as “The Architect of Light”-
Gluckman Tang- is an architecture firm located in New York City with Richard Gluckman and David Mayner in partnership since 1998. The architects are known for minimalist design, evident in five pioneering art galleries that moved into the Chelsea gallery district from the SoHo neighborhood during the late 1990s, the proposed expansion of the Whitney Museum of American Art, and the Mori Arts Center (2003) in Tokyo.
Richard Gluckman, FAIA, studied architecture at Syracuse University, where he returned in 2005 to design The Warehouse, current home of the Design Department of Syracuse's College of Visual and Performing Arts. In 2014 he designed Syracuse University College of Law's Dineen Hall, which was named one of "The 50 Most Impressive Law School Buildings in the World." [1] He has designed a wide range of buildings including an apartment building in lower Manhattan, and houses in Texas and Long Island New York. As principal of Gluckman Mayner Architects, Gluckman has been responsible for museum projects as the Georgia O'Keeffe Museum in Santa Fe, New Mexico (1996); the Deutsche Guggenheim in Berlin, Germany; the renovation and expansion of the Whitney Museum of American Art in New York (1998); the Mori Art Museum in Tokyo, Japan (2003); the conversion of the Andy Warhol Museum in Pittsburgh, Pennsylvania (1994); the Museo Picasso in Málaga, Spain (2004); The Warehouse in Syracuse, New York (2006); and the downtown location of the Museum of Contemporary Art San Diego (2007).[2] In 2009 the Brant Study Center an exhibition space in Greenwich, Connecticut opened, it was created out of a converted barn by his design.[3]
In addition to museum and gallery spaces, Gluckman has also designed studio spaces for artists as well as art galleries. He first worked with artists in 1977, when he helped Dan Flavin with a fluorescent light installation along a staircase in the Upper East Side residence of Heiner Friedrich and Philippa de Menil. After completing a New York loft for artist Richard Serra in 1989, Gluckman designed a house for him in Cape Breton, Nova Scotia, a warehouse in Greenpoint, Brooklyn, and a new studio on Long Island (2003). In addition, he has completed houses and studios for artists Chuck Close (in Water Mill, New York), Francesco Clemente, Don Gummer, Ellsworth Kelly (in Spencertown, New York) and Louise Lawler.[4] In 1999, he devised the 25,000-square-foot Chelsea location for Gagosian Gallery in which Serra presented the monumental sculpture, Switch. In 2007, the Yvon Lambert Gallery opened its New York location on West 21st street in a 700sq m space designed by Gluckman in collaboration with Thomas Zoli and Rachel D. Vancelette.
Chelsea Arts Building
22 Thames
MoMA Design Store | Tokyo
One Kenmare Square
MoMA Design Store
MoMA Book Store
Mii Amo Spa
Helmut Lang Parfumerie
Helmut Lang
Museums
Zhejiang University Museum of Art and Archaeology
Extreme Model Railroad and Contemporary Architecture Museum
Global Contemporary Art Museum
Minhang Museum
Museo Nacional del Prado
Staten Island Museum
Cooper Hewitt, Smithsonian Design Museum
Matthews Warehouse, Philbrook Museum of Art
Georgia Museum of Art
Philadelphia Museum of Art, Perelman Building
Museum of Contemporary Art San Diego, Downtown
Museo Picasso Málaga
Mori Arts Center
Whitney Museum, Expansion Competition
The Whitney Museum of American Art
Georgia O'Keeffe Museum
The Andy Warhol Museum
Galleries
De Maria Pavilion
Model Art Pavilion
Sotheby's S2 Gallery
Galerie Forsblom
Pace Beijing
FLAG Art Foundation
Gagosian Gallery, West 21st Street
Noguchi Garden Pavilion
Gagosian Gallery, West 24th Street
Mary Boone Gallery, Chelsea
Sotheby's 10th Floor Galleries
Mary Boone Gallery, Uptown
#6 The Art of Storytelling-
Paul Vowell
Paul was born in the U.S., but moved to Germany when he was four months old. He spoke French first, then German then English. His parents were both scientists and technologists and Paul inherited his ability to work with technology from then. Thus, he became a multifaceted producer and editor of music videos first, then feature length television for Asylum Productions in Hollywood.
Paul has an extensive background in entertainment and touring events. Former Drummer for Grammy nominated "Green Jell-O". Performed drums and percussion plus managed six US tours for the group. Drummer/Producer for Grammy winner "Sleepy Brown of Outkast" working on marketing of products hands on within the label after and during productions. Hosting events and parties for French Tuesdays and the consulates office of France as well The House Of Blues. Paul also was the owner and creator of the infamous Hollywood Freak show party house. Transitioning into film and television production came with the creation of the house as well production of NoizeTV running 12 episodes on KGNG.
Who Are We?:
Michael Pratter- Executive Producer-
Writer- Artist- Author of two books, Produced television in South America and the United State. Entertainment lawyer for 50 years.
Handled many aspects of the careers of well-known entertainers from investments and business management to negotiation of their contracts, lawsuits, copyright and royalty issues to handling their personal problems, to being partners in various businesses:
Kathleen Nolan-President of the Screen Actors Guild, Actress "The Real McCoys"
Don Adams- Actor-'Get Smart"
Anthony Newley--Actor, Entertainer, Composer-"Stop the Work I Want to Get Off", The Roar of the Grease Paint the Smell of the Crown"
John Phillips and the Mama's and the Papas- Singer Composer-wrote "California Dream'n"
Leslie Ann Warren-Actress-'Victor /Victoria'
Joan Collins-Actress- "Dynasty"
Dr. John Lilly- Dolphin researcher, Author "Diatic Cyclone", "Center of the Cyclone"
Michelle Phillips- Actress- "Valentino""Knots Landing"
Bill Dana-"The Bill Dana Show"
Henry Miller-Writer-Painter-"Tropic of Cancer", "Tropic of Capricorn"
Pat Morita-"Actor-"The Karate Kid"
William Levinson-Writer Producer-"Mannix", Murder She Wrote" ."Columbo",
Peggy Lee-Composer, Singer- "Fever"
George Furth-Actor, Writer- Composer- "Company", "Stix"
Roman Polansky-Director-"Rosemary's Baby"
Peter Lawford-Actor-Producer-"Oceans Eleven"
Dr. Oscar Janiger-Psychiatrist, Author- "An Alternative Way to Healing"
Judd Kinberg-Writer producer-"The Magus" " The Collector";
Produced the Grand Teton Music Festival-PBS-Jackson Hole Wyoming; Eros Velousia-Hedge- Global-Brazil.
Candy Binnings- Producer
Producer, Artist, Actress, Filmmaker
"Brazilian Movie"
The Hangover"
"Get Him To The Greek"
"Les Infidels"
"Burt Wonderstone"
"Now You See Me, Now You Don't"
"The Hangover 3"
"Alongside Night"
"Think Like A Man Too"
"Sins of Our Youth"
"Til Luck Do Us Part 2"
"The Squeeze"
"GNG"
"Mall Cop 2"
"Who's Driving Doug?"
"The Trust"
"Bourne 5"
TV SHOWS
"Eye For An Eye" Court Show
"Friday Night Lights"
"Swingtown"
"CES Convention"
"Tia Mia and Flo Rida Music Video"
"CSI"
"Let's Make A Deal"
"Fast Track to Fame"
"The Odds"
"John Chachas call-in"
"Randy To The Rescue"
"House of Lies"
"Brain Games"
"Chopper Live"
"Vitamin Z"
"Best In Chow" - Taco Wars LV- Cooking Channel
"Nashville Unplugged"
"None of the Above" NatGeoTv UK
"Bad Ink"
"Modern Family"
"TM Project"
"Restaurant Stakeout"
"God, For The Rest Of Us"
"Playing The Game"
"Pawnography"
"Late Night Chef Fight"
"Sin City Saints"
"Monopoly"
"TED"
"Ghost Adventures"
COMMERCIALS
"Wal-mart /Salvation Army Commercial"
"Vodaphone Commercial"
"Aliante Casino Commercial"
"John Chachas Commercial"
"Vegas Only Commercial"
"Nascar Commercial"
"Lively.com infommercial"
"Samsung TV Commercial"
"Vegas.com Commercial"
"Catparapsychic Commercials"
"Counting Cars" History Channel
Paul Vowell-Director
Paul was born in the U.S, but moved to Germany when he was four and was educated there. His first language was French, then German, and of course now English. His parents were accomplished engineers and technologists, and he immigrate back the the US when he was Eleven.
Paul has an extensive background in entertainment and touring events. Former Drummer for Grammy nominated "Green Hosting events and parties for French Consulate, Tuesdays and the consulates office of France as well The House Of Blues. Paul also was the owner and creator of the
infamous Hollywood Freak show party house. Transitioning into film and television production came with the creation of the house as well production of NoizeTV running 12 episodes on KGNG Jello". Performed drums and percussion plus managed six US tours for the group. Drummer/Producer for Grammy winner "Sleepy Brown of Outkast" working on marketing of products hands on within.
Luc Larin- Art Director
MUSICIAN, ARTIST, ACTRESS, DESIGNER
MOVIES
"Stuck On You"
"The Ringer"
"Friday Night Lights"
"Grindhouse”
"Faith and Bullets"
"Think Like A Man Too"
"Sins of Our Youth"
"Brazilian Movie"
TV SHOWS
"Eye For An Eye" Court Show
"Friday Night Lights"
"Let's Make A Deal.”
"Randy To The Rescue”
"Vitaman z"
"Ghost Adventures"
COMMERCIALS
"Vodaphone Commercial"
"Nascar Commercial"
Miguel Angel Najarro
Director of Photography
Graduate of the Herberger Institute for Design and the Arts
Film (Film and Media Production), BA
Arizona State University
Designer/ Photographer for Innovative Armory
Tempe, AZ Associate sin Graphic Design and Applied Arts
Collins College
Tempe, AZ
Currently based in Las Vegas, NV, where I am Videographer and Cinematographer for FUN Productions, as well as Noize TV. Experienced working with both crew and talent supported previous productions by: confirming reservations, getting crew to where they need to be, dealing with promoters, venue managers, agents, and confirming show times.
Professionally, I have the ability to get on well with people of all ages in a polite, tactful and tolerant approach. Qualities that are critical in achieving our artistic goals. I possess a multitude of interests in music, geography and history. Noize TV has allowed me to develop my valued skills in unique opportunities.
Fin
Represented by:
Alan Morell
[email protected]
THE CREATIVE MANAGEMENT AGENCY
Creative Management Partners LLC
433 North Camden Drive, 6th Floor
Beverly Hills, Ca. 90210
www.creativemanagementpartners.com
508-292-7900
© 2017 Creative Management Partners All Rights
Contact: [email protected]